1095 Days Later: ‘I’m Here, No Big Whoop’

“What is so significant about today?” my husband and I wonder.

Today is the day my mom’s spirit was released from her suffering body. Three years ago today, she died.

“Is this a day we want to mark?” we both wonder. And in the parlance of exam essay

It's 3 a.m. and I'm wide awake.

It’s 3 a.m. and I’m wide awake.

questions, “Why, or why not?”

For the last three years, in the wee morning hours of May 7 I have awoken. I rarely awake during the night. If I do, it is usually to roll over and resume sleep. The last three years though, near 3 a.m., I awaken. Fully.

It does not escape me that in these same wee hours, my mother’s spirit made her escape.

Is it a shift in the energy of the universe, revisited at this time, that wakes me up? The extraction of her physical presence and the vacuum that created in my life and the lives of so many others that rouses me from slumber? Is it some spiritual clock my soul has set within me, to go off once a year, a recollection, an alarm.

Is it her thumbprint on my soul, the smooth river stone she placed in my heart, which anchors my soul, full of all her teachings, her love, her goodness and complexities, pressing ever deeper into my memory, my being? Is her spirit nudging it deeper, each year?

I get up hours later and rush to Mass to meet my father and honor her. I’m doing OK until the priest mentions her name, her full name, during the intentions. “Shut up!” I want to yell at him and cover my ears. “Don’t you dare say her name as being gone, departed, dead. Shut up, shut up, shut up!”

Instead I sob and think, “My mom is dead. My mom is dead.” 1,095 days later this still seems unreal — and unreasonable.

The priest talks about the dispersal of the apostles after Jesus’ death.

Painting titled 'The ballerina' by Iraqi artist Afeefa al-Aiby from the exposition Arab Culture in the Diaspora.

Painting titled ‘The ballerina’ by Iraqi artist Afeefa al-Aiby from the exposition Arab Culture in the Diaspora.

I think about the many people who loved my mom, who were deeply touched by her love, who treasured her friendship, companionship, her loving heart. Siblings, cousins, her husband, her children and children’s spouses, grandchildren, other family, the families of her children’s spouses, her dear and loyal friends, distant relatives, childhood friends, acquaintances, friends of friends, children of friends, friends of her children, priests, nuns, volunteers, caregivers, doctors, nurses who cared for her, fellow patients, fellow church members, people who have read about her in my writing, before her death and after, the friends who I made simply because we both had dead mothers — all of these part of the diaspora of Judy’s love.

All of these people (and more) came together when she died three years ago, pulled inward by the transition of her spirit. Brought together to commune because of the magnetic energy and power of her love and how she made people feel. And then, they dispersed to all their different nooks, carrying with them that piece of Judy’s love and spirit.

Sometimes I feel sad about the dispersion. But more often I feel impressed.
I feel as if that’s the way it is supposed to be — and maybe the way my mom’s love was always destined to travel.

I am beginning to think that we only fully share what we receive from others, the gifts loved ones instill in us, after they are gone.

When they are living, we can imitate and approximate, but when they are gone, their intention of love becomes part of us, we own it. It activates and becomes a part of who we are and what we are now empowered to bestow on others.

A week ago, I had a dream my mom came walking back into the kitchen of our childhood home, after having been dead for three years. In the dream, I knew she was coming back to life!

She looked great, young and fresh and very calm. I stroked her cheek and marveled that she was whole again, all put back together, in health and beauty and peace.

While I felt shocked and awed in the dream, she was matter-of-fact and serene. Like, “hey, honey girl, I’m here, no big whoop.”

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